Tech / Technology

Photo-sharing app Lapse appeals to users who want a more personal social media experience

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Lapse, a photo-sharing app with a film filter, shot to the top of the App Store thanks to a clever gimmick. But can its users get hooked on yet another social media app?
Three screens displaying different functions of Lapse on a black background.

It’s a truth universally acknowledged that social media sucks right now. 

Platforms are overrun by ads and sponsored posts, and algorithms don’t prioritize the social aspect of digital connection. The swift rise and fall of BeReal, an app that offered a solution to the disappointing state of the social media landscape, now seems more like a cautionary tale. That’s not stopping developers from trying to revolutionize the way we connect online, and Lapse is the latest alternative social media app on the scene.

It advertises itself as “the invite-only disposable camera.” On Lapse, you take a photo (called a “snap”) and send it to the “darkroom” to be “developed.” At an unspecified time later in the day, you’ll get a notification that your photo is ready, and you can see the photo you took transformed by Lapse’s grainy, analog filter. Once you see the photo, you can decide whether to post it in your gallery or archive it.

Lapse forgoes an algorithmic feed and aims for something more personal and chronological. Snaps live on your profile, or your “Journal,” which can be customized with music, a carousel of select images, your zodiac sign, and emojis. Meanwhile, your friends can react to your snaps, or share a “vibe,” with a range of pre-selected randomized emojis.

A screenshot of a photo of someone's Lapse profile page.

A look at Mashable editor Crystal Bell’s Lapse profile.
Credit: Lapse: @crystalbbell

The photo app remixes aspects of other platforms to create a unique, yet familiar experience. It incorporates the camera roll archive of Snapchat, the film-like filter of Dispo, the photo-sharing element of Instagram, and the low-stakes, low-key nature of BeReal.

The darkroom gimmick of Lapse encourages users to live in the moment and take a photo and go, contrary to the fraught Instagram experience of taking dozens of photos and immediately scrutinizing them for posting potential or the instant gratification of BeReal. 

“With Instagram now, I feel like you have to think long and hard about what’s going to be on your feed, but if I want to take a picture of the fucking chicken fingers that I made, then I can post it on Lapse,” Daniel Head, a 32-year-old Lapse user in Brooklyn, New York, told Mashable. 

Lapse isn’t new — it first launched in 2021 as a collaborative disposable camera roll app — but in June, it rebranded to more of a traditional social media platform with profiles where users could share their “developed” photos and organize them into monthly “memories” and albums. At its launch, Lapse raised $11 million in seed round funding

Three iPhones displaying Lapse's original app design.

Before Lapse’s 2023 rebrand it was a collaborative disposable camera roll app.
Credit: Lapse

In the last month, you’ve likely received a cryptic text message from a friend along the lines of “we need this,” accompanied by an early access invite to Lapse. The platform requires new users to invite five or eight friends via text message before they can start using it. At the end of September, it shot up from No. 118 to No. 1 in the App Store — it currently sits at No. 2 — as a result of this growth hack. According to data.ai, Lapse had nearly 1.2 million users worldwide in late September.

Joshua Santos, a 27-year-old software engineer in Phoenix, Arizona, started using Lapse at the beginning of October. “It felt off that I had to invite other people just so I could use the app,” Santos told Mashable. “It was like some weird pyramid scheme.” 

The app co-founders Dan and Ben Silverton stand by their onboarding process. Dan told TechCrunch, “We are top of the charts because Lapse is resonating with young people, who are sharing millions of photos per day in our app. They are exhausted by existing photo-sharing apps, and Lapse is a way for them to live in the moment and share memories pressure-free.” It also clearly benefits from young people’s insatiable nostalgia for vintage tech following the disposable camera boom in 2019.

But texting friends isn’t the only requirement to access Lapse. “You have to add the [Lapse] widget to your home screen or your lock screen, which is kind of wild. Like, oh, OK, we’re really being invasive with it,” explained Head.

Other users, like Ria Bhagwat, don’t mind the widget. “[The widget] is very engaging. It convinced me to want to use it more,” the 23-year-old freelance journalist told Mashable. 

The platform successfully gamed the system for downloads, but can its users get hooked on yet another social media app? BeReal taught us about how quickly the novelty of a new social platform can wane, and while Lapse is breaking through without the incentive to use it daily, its staying power remains unclear.

But so far, Bhagwat is hooked. She posts on Lapse two to three times a day to 50 friends. “I am not usually a fan of photo apps. I had Snapchat in college. It forced me to always be on high alert about how I looked or what I was doing,” explained Bhagwat. “Lapse is nice because a lot of people use it for scenery. It’s different from Snapchat or BeReal because it’s not focused on the person who is posting, it’s more what they’re doing or who they’re with.”

Another draw of the app is that at the end of each month, all your posts are consolidated into an album. Jasmine, a 29-year-old art director in Brooklyn, treats it like a photo diary.

She also appreciates the community she’s built on the app. “I was looking at Lapse this morning, and it was nice to have people that I recognize and talk to in real life on it,” she explained to Mashable. “I open it and then scroll for 10 seconds and put it away. It doesn’t feel like a black hole.” 

Tech / Technology

Mosseri says Meta’s Threads might get an API

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Threads, a Meta platform, is working on developing an API, which would enable apps and services to interact with the app.
The logo of Threads is displayed on a mobile phone screen in front of a computer screen in Ankara, Turkiye on August 29, 2023.

It looks like Threads might be getting an API soon.

Threads user Donna Lowe asked if there was a “Thread-deck-type thing yet,” and technology reporter Casey Newton responded by saying, “No, because there isn’t an API yet. Hopefully someday.” In response, Instagram head Adam Mosseri said, “We’re working on it. My concern is that it’ll mean a lot more publisher content and not much more creator content, but it still seems like something we need to get done.”

Adam Mosseri on Threads

Adam Mosseri on Threads
Credit: Threads

An API, which stands for Application Programming Interface, helps different apps communicate with each other. For instance, TweetDeck uses Twitter’s API to allow users to schedule tweets in the future. In the past, before certain restrictions were imposed, there were third-party Twitter (now X) clients that offered alternative interfaces for accessing and interacting with the Twitter platform, like Tweetbot and Twitterrific. Twitter’s API now costs money, though, thanks to Elon Musk. 

APIs aren’t new to the Meta family. Influencer marketing platforms use Instagram’s API to gather data on influencers’ audience size and engagement metrics, and Instagram Top 9, the feature users love to use to generate their top photos from the year, also uses Instagram’s API.

An API on Threads could be helpful for creators, news outlets, and developers, but it’s no surprise that it’s taking Meta a while to set it up. Threads is new and, of course, desperately does not want to encourage news content — which an API has the potential to do. 

Tech / Technology

YouTuber Rosanna Pansino claims MrBeast ‘lied and edited [her] out’ of a video

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Baker and YouTuber Rosanna Pansino claims that fellow creator MrBeast “lied and edited [her] out of the top 3” in his video “Extreme $1,000,000 Hide And Seek.”
Photos of MrBeast and Rosanna Pansino side-by-side

Baker Rosanna Pansino is one of YouTube’s most recognizable faces, having transcended her fame on the platform with regular appearances on the Food Network and several successful baking product lines. But yesterday (Oct. 26) she stepped out of the kitchen into a different kind of spotlight to claim that fellow creator MrBeast had “lied and edited [her] out of the top 3” in his video “Extreme $1,000,000 Hide And Seek.”

The YouTube video documents a large-scale hide-and-seek game among top creators played in California’s SoFi Stadium. In posts on Instagram and on X, Pansino alleges she placed third in the competition while magician Zach King and gamer Quackity came in first and second, respectively.

But the final video posted to MrBeast’s Youtube channel depicts King and creators Larray and Logan Paul in the top three spots.

Pansino’s post describes the exact timing of the game, noting that she remembers when Logan Paul was found because “I couldn’t believe I outlasted him. He is a fierce competitor… I was proud of what I had achieved.” The editing choice “was extra upsetting because I genuinely believed him when he said that his videos are ‘authentic and real,'” Pansino added. “I was shocked, disappointed, and felt hurt.”

After Pansino shared her posts, X users surfaced videos of Quackity describing the same scenario in both English and Spanish.

MrBeast, the online pseudonym of Jimmy Donaldson, is the world’s most subscribed YouTuber, with 205 million followers. The video in question, “Extreme $1,000,000 Hide And Seek,” currently has more than 97 million views.

After sharing her first posts on Instagram and X, Pansino followed up with an X post thanking people for their support. “In the hours since posting my story I have received at least 3 other messages from female creators who have had similar experiences with Mr Beast [sic] and those around him,” she wrote. “That will be their story to tell if they choose to, but it is making me realize that I’m not as alone as I once thought I was.”

Tech / Technology

Emma Rogue, Gen Z thrifting queen, on ‘childhood nostalgia-core’ and the future of fashion

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Emma Rogue, Instagram creator and thrift queen, on Gen Z ‘nostalgia-core’ and how technology is making fashion ‘accessible to the masses.’
Three photos of Emma (one of her in the glasses, one smiling, one of her throwing up two gya-ru peace signs.

We’re hanging out at Emma Rogue’s thrifting dreamland in downtown Manhattan, the physical embodiment of her adoration of the last 30 years of style. A handful of young women in exquisitely curated outfits sift through clothing racks as the Pussycat Dolls and Backstreet Boys play in the background. Tees and trinkets from the early 2000s adorn the walls, making the shop feel more like Emma’s childhood bedroom than a booming thrift business.

Emma knows a thing or two about looking good. Her Instagram and TikTok videos celebrate New York street style, spotlighting the looks of strangers, celebs, and fellow creators alike. But today, she’s trying something completely new: wading into the waters of wearable tech.

Emma is one of a handful of creators tapped to bring Meta’s “It’s Your World” campaign to life by showing people how the nebulous (and sometimes confusing) world of AI and the metaverse can be put to use IRL. The company’s new Ray-Ban Meta smart glasses are her first piece of wearable tech. The shades can livestream, shoot photos and videos, play music, and offer assistance via Meta AI, and she’s already filmed a few clips on them for her Instagram.

In between shots, Mashable asks Emma about her vision for the future and digital fashion.

Mashable: Thrifting can be an accessible form of fashion. How do you see tech making fashion more accessible?

Emma Rogue: Everything, in every way. With Rogue, we utilize Instagram Reels’ short-form videos a lot. It’s become integral to our business model. We do short-form interviews with customers who come to us organically through word of mouth or if they’ve seen us online. A lot of the time, they’re wearing thrifted outfits, [so] just being able to showcase that online and show our viewers that, yes, you can dress in an amazing fit and it all be from the thrift. That’s a great form of making it accessible to the masses.

A lot of times people are afraid of style, right? You might be scared to tap into that world. So when they see someone that looks similar to them or their age looking amazing, and they realize it’s all thrifted, it might spark a light in their head like, “Oh, maybe I could try doing that.” They’re gonna screenshot that outfit, then they’re gonna go to their local thrift and be like, “OK, I love her look, let me try to recreate it.”

So that’s one way we do it. Every day we post a video. Volume and consistency are key in the content game. It’s the Victoria Paris method, shout out [to] Victoria. I love her. She sold with me on my opening day.

I think the first time I saw you online was in Caleb Simpson’s apartment tour series. You showed him your Pop-Tarts collab. 

Oh yeah, right there! [points to a Pop-Tarts box in display case.] And our Guinness World Record is right over there, too. We built the world’s biggest Pop-Tarts throne, 8 feet!

Where is the throne now?

In my parent’s garage in New Jersey. A lot of my stuff has been removed from it, but the throne remains.

Are you into digital fashion at all? How do you dress in the digital world?

I don’t have a gaming avatar, but I would dress it in something I would not wear every day because it’s maybe a little uncomfortable. I would put myself in a peak Emma fit: big platforms — I just got my first ever Rick [Owens] shoes so I might do some crazy Rick heels — thigh highs, a cute mini skirt, maybe a cargo mini? That would be cute. A mesh long sleeve and a tank top on top of that, a strappy cami. Accessories everywhere. A lot of metal rings, pigtails, with two strands of hair in front. And arm warmers and leg warmers.

I’m so excited for the day Rogue exists in the metaverse and customers all over the world can shop our stuff there.

Have you been talking about opening a Rogue in the metaverse?

I have a friend who’s really into the metaverse. He’s like “Emma, you gotta get on, buy some land, and build Rogue!” I’m not that deep into it. I haven’t bought land yet because I’m kind of nervous. But I’m excited for when it comes.

The thing is, we have such a big audience. It pains me when they say like, “Build a Rogue in London!” or “Come make a Rogue in Italy!” or I’ll get a DM from some kid in Germany, and they’ll say, “Can you come to this little town in the middle of nowhere?” So if Rogue was in the metaverse and existed there, it’d be so cool for these kids to just like tap in and visit. It would be cool if we could update it with all our new drops and then they could dress their avatars in them.

What does Rogue in the metaverse look like?

Childhood nostalgia-core bonanza. Foam pits, trampolines everywhere, giant slides into fluffy mattresses. Remember in Princess Diaries 2 when they slid down the slide? Stuff like that. Everything you wanted to do as a kid in one place. Everywhere your parents wouldn’t take you in one place. Disney World. All the best parts of your childhood.

I get so happy thinking about my childhood, thinking back to the times when I had no worries. I think everyone can relate to that in some sort of way. As you get older, it’s amazing, right? We’re growing, and learning more every day. But you’ve got bills to pay and it’s like, “I don’t want to do taxes!” Like, come on! There will be no taxes in Rogue World.

I would love to have a zoo in there. You know, ride the elephants or something. Literally your wildest imagination. The NeverEnding Story is one of my favorite movies of all time, so there’s going to be Falkor in there. Maybe different themed rooms, or zones. There’d be a room [that] anyone could walk into and it’d become their favorite dream. I think cooler than a room would be like a dome. Many different domes, so it doesn’t look like a ceiling.

Like in “Club Penguin.”

I’m more of a Webkinz girl.

I love the way that Gen Z has repurposed and revived Y2K tech. Why is your generation so drawn to those items and aesthetics?

They never experienced it. It’s exciting to them because it was never part of their day-to-day, but maybe they heard their mom talk about it or their brother talk about it. Maybe they saw it in their favorite movie. Those pieces of technology have become ephemeral. [Gen Z] never got to experience that but [they’ll see it on] old online mood boards or certain aesthetic pages on Instagram. In music videos on YouTube [from the 2000s] they held Sidekick phones. [Gen Z] never had that experience. They’re experiencing something they never got to, they’re transporting back in time.

You mentioned mood boards and Instagram accounts dedicated to a particular aesthetic. Where do you find inspiration online?

I like Instagram’s Explore page and Reels a lot to find inspiration and to find new talent — maybe to find emerging brands that we want to have a drop with here [at Rogue]. Or someone we want to collaborate with or a designer I want to commission to design a piece for me in my new collection. Instagram is part of my daily life and also for connecting with people. Sending a DM is the best thing that we could have access to. I posted Diplo on my story yesterday because I was at his concert, and he reposted me and DM’d me back! And I was like, “Perfect, pull up to the shop and we’ll get a fit check.” There’s no limit to what we have access to.

Tech / Technology

Meta rejected Unbound’s sex toy ads — until they marketed to men

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Sexual wellness brand Unbound made ads for a fake male-focused company, Thunderthrust. Meta approved Thunderthrust’s ads.
rejected and approved unbound and thunderthrust facebook ads

For years, online and offline spaces have rejected ads for products to help make sex better for women — but approved ones for men. In 2019, sex toy brand Dame sued the MTA over rejected subway ads (which they eventually settled). That same year, Dame and fellow brand Unbound pointed out this discrepancy with a quiz on what ads are blocked versus which are approved. When the ad centers a women’s sex toy, it’s rejected; when it’s about an erectile dysfunction product, it’s approved.

It’s sad to say that in 2023, the case is still the same. Now, Unbound tested whether Meta would approve its product ads if they were targeted to men — and it did.

When Unbound submitted ads for products like its Ollie wand vibrator, Bandit cock ring, or Cuffies handcuffs as they are, Meta rejected them. These ads feature the bright-colored products alone or with hands, usually in front of a colorful or sky backdrop.

“We want as many people as possible to have the best sex possible,” Unbound’s CEO and co-founder Polly Rodriguez said in a video on Twitter. “But the problem is that we cannot reach them.”

Unbound’s senior content manager Maddy Siriouthay went on to explain that many advertising platforms write their compliance policies through the lens of family planning — products that assist or prevent pregnancy. Here is a snippet from Meta’s Adult Product or Services ad policy:

Ads must not promote the sale or use of adult products or services. Ads promoting sexual and reproductive health products or services, like contraception and family planning, must be targeted to people 18 years or older and must not focus on sexual pleasure.

In practice, however, Unbound found a plethora of ads to improve erectile dysfunction and “male” sexual performance. Some of these ads contained explicit language and body parts.

As an experiment, Unbound edited their products to be in stereotypical dude colors (gray), changed the target audience, and created a name for a fake male fitness and performance enhancing company, Thunderthrust. The toys themselves stayed the same, and Unbound submitted Thunderthrust ads for approval.

unbound ollie wand vibrator ad rejected by meta

Unbound’s original ad for Ollie, its wand vibrator, rejected by Meta.
Credit: Unbound

thunderthrust black and white ad featuring bare back of male with black wand vibrator

Unbound’s “Thunderthrust” ad for Ollie, approved by Meta.
Credit: Unbound

Meta approved these male-targeted ads.

This is a long-standing problem that companies like Unbound are fighting against. Earlier this year, these brands along with the Center for Intimacy Justice filed a complaint with the Federal Trade Commission (FTC) requesting that the FTC take action against Meta’s rejection of female-focused ads. This comes after Meta’s policy change in October 2022 to allow sexual health, wellness, and reproductive health ads — but, judging from this experiment, there’s still more to be done.

The Center has an ongoing petition to #StopCensoringSexualHealth, which Unbound workers encourage people to sign in its Thunderthrust videos.

“These policies are discriminatory in the way they are written, because they only allow one gender identity access to the tools and information that support a holistic definition of sexual wellness,” said Rodriguez in a second Twitter video.

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“We’d love to talk to Meta about improving the policies so that they are less gendered in how they are written and applied, and we’d welcome any conversation at any point in time,” Rodriguez told Mashable, while commenting that Meta has historically not been willing to come to the table.

Mashable reached out to Meta for comment and will update this story if received.

“Vibrator ads might seem a tedious hill to die on,” said Siriouthay in Unbound’s video, “but companies like Meta which own social media networks like Facebook and Instagram have major influence in what we see every day, which can then influence our subconscious beliefs, and the choices we make, and the opportunities we have.”

Tech / Technology

4 best concert cameras for 2023: hands-on reviews

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These concert cameras will capture the magic of live music for Instagram, TikTok, or your own personal memory bank.
rick springfield performing at epcot garden rocks concert

While everyone else in the crowd holds up their smartphones, only the very best cameras for concert photography let you snap the perfect picture.

Whether it’s Taylor Swift’s “The Eras Tour” (how lucky are you?) or Big Time Rush’s “Can’t Get Enough Tour,” 2023 has been an epic year for live music. Although making sure you have your tickets ready for show day and coming up with the perfect outfit are essential, so is solidifying how you’re going to capture your favorite moments from your favorite artists.

You’ve probably seen the countless TikTok videos on your “For You” page about how people have been using digital cameras at concerts to capture professional quality photos and videos that are clearer than their smartphone. Swifties alone have created an entire sub-genre on TikTok about how to best record “The Eras Tour” memories.

To find the best camera for concert photography, I tested popular cameras from Sony, Leica, and Fujifilm. I took hundreds (thousands?) of photographs and videos at recent concerts, and I also chatted with professional concert photographers.

What makes a good concert camera

Good cameras are very expensive, so you’ll want to be extra careful before making a purchase. To learn more about the best cameras for fans and photojournalists alike, we spoke to concert photographers Madison Raney (who has photographed artists including Twenty One Pilots and Blink-182) and Janet Eckles (who has photographed artists including Hozier and Hayley Kiyoko).

Raney and Eckles told me that there are many cameras that can be used for concert photography, but if you’re serious about capturing gorgeous photos and crystal clear videos, there are several key elements you should seek out.

Unless you have a press pass that lets you get right up next to the stage, I also found that zoom lenses, low-light capabilities, and continuous shooting provided me with the best results. Below, you can see some of the photographs I took while testing cameras.

rick springfield performing at epcot garden rocks concert

A photo taken using the Sony RX100 VII camera.
Credit: Jenna Clark / Mashable

rick springfield performing at epcot garden rocks concert

A photo taken at the same concert using the Leica D-Lux 7.
Credit: Jenna Clark / Mashable

a band performing at epcot garden rocks

A concert photograph taken with the Fujifilm X100V camera.
Credit: Jenna Clark / Mashable

rick springfield performing at epcot garden rocks concert

A concert photograph taken with the Sony RX100 VII digital camera.
Credit: Jenna Clark / Mashable

It has a full-frame

“Getting a full-frame camera is always top of mind for me,” says Raney. “Full-frame cameras are going to produce higher-resolution photos as opposed to a crop sensor, which is especially important when you’re shooting in low-light situations.”

By full-frame, Raney means a camera with a 36mm x 24mm image sensor, equivalent to the 35mm film cameras of old. To learn more about image sensors, check out Mashable’s review of the best travel cameras.

It can handle a high ISO

Because you won’t be able to use flash at most venues (and even if you technically can, it’s still considered quite rude), the best concert cameras must be able to compensate for the lack of flash. “Your camera will need to be able to handle a high ISO (3200 or higher) without producing a ton of noticeable noise (grain),” says Eckles.

If you’re already feeling lost, don’t worry. Photography is much more complicated than simply pointing your smartphone at the stage. To get up to speed, you may want to brush up on photography jargon and concert photography for beginners.

Has a large resolution size

A good concert camera would and should have a large resolution size. “The larger resolution you have, the higher quality images you’re going to get and the more detail you’re going to retain in each image,” says Raney. Modern cameras most often use megapixels to measure resolution size. If you want to capture every possible facial twitch in T-Swift’s face as she performs, then you’ll want a high megapixel camera. Remember that these high resolution photos result in huge file sizes.

Can shoot in RAW

A camera that has the ability to shoot in both RAW and JPEG is key. “I’d highly recommend shooting in RAW as opposed to JPEG,” says Eckles. “The files will be a lot bigger, but there will be more information stored in the image so you can better manipulate shadows and tones later when editing.” For serious photographers, these RAW image files are essential to make every single picture look its best.

I put several digital cameras to the test by attending outdoor concerts and testing several photo and video functions of each. All of the cameras featured in this review have been tested by myself or someone else on the Mashable team.

Read on to discover more about my favorite concert cameras.