From “Fear Street” to “Velvet Buzzsaw” to “Bodies Bodies Bodies,” and more, here are the scariest movies to watch on Netflix right now.
‘Sing Sing’ review: Colman Domingo delivers in prison-set friendship drama
Colman Domingo and Clarence Maclin deliver tremendous performances in A24’s Sing Sing.
‘It’s What’s Inside’ review: See it in a theater
Netflix isn’t the best way to watch Greg Jardin’s devious thriller, “It’s What’s Inside.” Review.
FF7 Rebirth’s Loveless Embodies The Remake’s Biggest Flaws
In extending one 40-hour RPG into three separate, equally long, titles Square Enix has found a lot of ways to build out the world of Final Fantasy VII. Rebirth, the second entry in the trilogy, takes it a step further than in its predecessor by packing the now-sprawling world full of activities. Extending the story…
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Every single Coen brothers movie, ranked from ‘Blood Simple’ to ‘Drive-Away Dolls’
A ranking of every movie made by the Coen brothers — or a Coen brother.
Ballads, bowling, and bowl cuts. And so, so, SO much blackmail.
Stagger, Pressured, Synergy, And More
A fusion of real-time reaction speed and tactical decision-making, Final Fantasy VII Rebirth’s combat system is both speedy and strategic. If it’s been a while since you’ve played 2020’s Final Fantasy VII Remake, or if you’re jumping into Rebirth as your first modern FF7 experience, this guide will help you gain…
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‘Bob Marley: One Love’ review: A bog-standard biopic that avoids complications
“Bob Marley: One Love” is a bog-standard biopic that treats the king of Reggae as an ideological pauper. Review.
‘The Book of Clarence’ review: The year’s first great comedy is a Biblical epic
The Bullitts’ religious satire “The Book of Clarence” ties Bethlehem to #BLM. Movie review.
25 best TV comedies on Max right now
Need a laugh? Flip on Max and try one of our picks for 25 best TV comedies currently streaming. From “Friends” to “Hacks,” “Insecure,” and “Harley Quinn.”
‘Ferrari’ review: Michael Mann returns with a scattered but impactful biopic
Adam Driver outshines practically every other element of Michael Mann’s “Ferrari.” Review from the 80th Venice International Film Festival.